The "Quotables" column features comments made by distinguished professionals in the performing arts
Thomas Stevens "Quotables" column features comments made by distinguished professionals in the performing arts that should be of interest to musicians and music lovers alike.
There is an old adage in the business world that a relevant anecdote or metaphor can be worth a thousand data points. In the music world, these same two elements can be worth many hours of classes or individual lessons.
The General Comments section of the "Quotables" features comments made by, or stories about distinguished professionals and the manner with which they practiced their craft in the performing arts that should be of interest to musicians and music lovers alike, while the For Trumpeters Only section addresses issues that would be of interest to that particular segment of the music community.
Some of the editorial content of the "Quotables" pages was originally either published, prepared for publication in music education and/or trade journals, or included as subject matter in international master-classes and seminars by Thomas Stevens during the years 1978 through 2001. The original materials have been edited for inclusion on this site, and they are listed in the reverse chronological order of their posting.
More Quotables details on Facebook (Thomas Stevens Music)
Quotable: “I am absolutely amazed at what Jean-Pierre has done for me!”-James Stamp (1983) in a toast to Jean-Pierre Mathez, who was not in attendance, at a dinner with Irving Bush and this writer.
Quotable: “And Jean-Pierre Mathez made you a star!” Irving quipped in response to Stamp’s toast, paraphrasing (in a kind of sprechstimme) a musicians’ insider joke from the big band era (“Benny Goodman made me a star”), which was always sung over the second phrase of “I Can’t Get Started,” a popular song written by Vernon Duke and the first-ever best selling record made by a trumpeter, Bunny Berigan, who also did the vocal, in 1937 (Irving's longtime friend, trumpeter/vocalist Jack Sheldon, included the Benny Goodman line verbatim in his band's recording of the same song made over half a century later)
During a recent master class, an old performance problem reared its ugly head: the proper execution of slow (tempo or duration) triplets, which no one in the class could play accurately.
"The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There is also a negative side."-Hunter S. Thompson (http://en.wikipedia.org/wiki/Hunter_S_Thompson)
An age-old problem for performers of all stripes, both vocal and instrumental, is that pitches in the low register do not project as well as those in the middle or high registers, and, consequently, adjustments must be made by performers to remedy this problem.
In making a point to establish his authority, the legendary Arturo Toscanini served up a marvelous Quotable (excerpted from the BrassBulletin Backstage series).
The following are comments offered by two of the twentieth century's most distinguished symphony/opera conductors. The material has been exerpted from an article, "Fortissimo," that was originally published as one of my Backstage series for Jean-Pierre Mathez' BrassBulletin. (http://www.Brass-Bulletin.com)